Tarot Fellow
Rune Awakening Altar Cloth 36 Inch Norse Sacred Geometry Batik
- Regular price
-
$37.95 - Regular price
-
- Sale price
-
$37.95
Couldn't load pickup availability
Details
Rune Awakening Altar Cloth 36″ x 36″ — a striking altar cloth or scarf printed with Elder Futhark runes arranged as component pieces of the Flower of Life sacred geometry pattern, symbolizing cosmic awakening and universal interconnection. Use it as an altar base for Norse rune practice, cast your runes upon it, or wear it as a ceremonial shawl. 3-foot square cotton weave.
Description:Quick Specs
- Type: Square altar cloth / sacred geometry working mat
- Construction: Handmade Bali batik, hand-waxed and dyed by Indonesian artisans
- Size: 36 in x 36 in
- Design: Dark navy blue ground; rainbow-segmented Elder Futhark rune wheel around a central Star of Solomon / Seal of Solomon motif with red, white, blue, and green triangles; twelve cyan runic symbols inside the inner ring; four directional pink and purple glyphs at corners
- Best for: Rune work, sacred geometry altar, Norse practice, divination cloth, ceremonial layout
The Rune Wheel and the Star at the Center
The outer ring of this cloth carries the complete Elder Futhark, all 24 runes of the oldest runic alphabet, arranged in rainbow-colored segments against the dark navy ground. The rainbow gradient runs from red through orange, yellow, green, teal, blue, indigo, violet, and black, each segment holding a group of runes from the three aettir. This places the full alphabet in a continuous cycle where no single rune is dominant, a layout suited to broadly exploratory divination or to meditation on the runes as a complete cosmological system rather than individual characters.
At the center sits a Star of Solomon, two overlapping triangles forming a six-pointed star. The upper triangle carries a red fill, the lower a white ground, and the two smaller inner triangles at the base points are blue and green. In Western esoteric tradition, the hexagram is a cosmogram representing the union of opposing principles: fire and water, above and below. In Norse-syncretic practice, the six points can be mapped to cosmic forces or to the six directions of space. The twelve cyan rune-form symbols arranged in a ring just inside the rune wheel further bridge the two systems, creating a layered geometric altar field.
Corner Glyphs and Directional Structure
Four stylized glyphs in pink and purple mark the corners of the cloth. They read as angular symbols pointing outward from each corner, framing the circular rune wheel within a square boundary. The Balinese artist designed them as directional markers, analogous to cardinal-point guardians or to planetary glyphs in Western ceremonial work. Practitioners often orient one of the four corners to each compass direction before beginning a working, using the cloth itself as the casting boundary rather than casting a separate circle.
The combination of the outer rune ring and the inner sacred geometry gives the cloth two distinct zones. The outer ring is best read as a diagnostic field: runes that fall near the wheel are in dialogue with the specific rune segment they land on. The inner circle around the hexagram serves as the focal point for candles, crystals, or the principal object of the working. At 36 by 36 inches, both zones are usable simultaneously without crowding.
Handmade Bali Batik on Cotton
Handmade Bali batik means a piece that an Indonesian artisan drew, waxed, and dyed by hand using the traditional canting tool, the same wax-resist method UNESCO honored as Intangible Cultural Heritage of Humanity. Bali batik is bolder and more devotional than the restrained court batik of Java, drawing on the island's Hindu-Dharma ritual life. Care for it as you would any hand-dyed cloth: gentle wash, no bleach, line dry away from direct sun. Treated this way, a Bali batik holds its color and character for years.
The rainbow gradient in the rune ring is the most technically demanding element of this design, requiring a separate wax application and dye bath for each color band. The result is richer than anything a screen-print process produces, but it also means the color transitions between segments will vary slightly across individual pieces. That variation does not affect legibility of the runes.
How to Prepare This Cloth for Sacred-Geometry Rune Work
Three steps for setting up and storing this handmade Bali batik rune and sacred-geometry altar cloth.
-
Unfold and orient the cloth
Unfold the cloth on a clean, flat surface and orient it so the large rainbow rune wheel is centered in front of you. Place one of the four corner symbols in each cardinal direction to frame the working space with the cloth itself as the boundary.
-
Set tools inside the circle
Set the tools for your rune or sacred-geometry working inside the circle formed by the rune ring. The Star of Solomon motif at center provides a natural focal point for a central candle, crystal, or the object that holds the intention of the work.
-
Clear and store after the working
When you have finished, clear the tools from the cloth before folding. Roll rather than crease-fold to protect the wax-resist print. Store flat in a chest or bag away from light, which can fade the rainbow gradient in the rune ring over years.
The Tarot Fellow Standard
I stock this cloth because the layering of a complete runic alphabet over a sacred geometry focal point in a single handcrafted format is genuinely unusual. Most rune cloths do one thing; this one invites the practitioner to work both systems simultaneously. Browse my full range of rune and Viking-tradition tools in my Viking and Celtic products collection, and find more altar working surfaces in my altar cloths selection.
Frequently Asked Questions
The cloth is 36 by 36 inches, a useful size for a full altar surface, rune casting mat, or tarot cloth. The rainbow rune wheel gives clear visual structure, and the dark navy ground keeps bright colors legible in candlelight or dim ritual spaces.
The Elder Futhark is the oldest form of the runic alphabet, used across Germanic-speaking regions from roughly the 2nd through 8th centuries CE. It consists of 24 runes grouped into three aetts, each associated with a Norse deity or cosmic force.
It is a handmade Bali batik made by Indonesian artisans who draw the design in hot wax with a canting pen, then dye the cloth in layers. UNESCO recognized Indonesian batik as Intangible Cultural Heritage in 2009.
The corner symbols resemble planetary or alchemical glyphs pointing to the four cardinal directions. They are a design choice by the Balinese artist, framing the rune wheel as a cosmogram with directional anchors rather than strict Norse sigils.
